Die Hexen captivates audiences worldwide with an exceptional fusion of sound and visual artistry.
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Die Hexen is a renowned composer, filmmaker, and sound artist, recognized for innovative film scores that have received critical acclaim. Their work includes notable soundtracks for films such as Fréwaka, You Are Not My Mother, Inside, and Lamb. With a unique ability to blend orchestral elements with electronic soundscapes, Die Hexen has established a significant presence in the contemporary music scene.
Raised along the scenic north coast, Die Hexen drew inspiration from the natural acoustics of Ballintoy’s limestone amphitheatre. This distinctive environment nurtured a creative spirit that propelled their artistic endeavors, leading to impactful projects such as a tribute to witches in Ravensburg and the immersive augmented reality sound installation titled Our Place In Space.
Musical innovations and unique instruments
Die Hexen’s compositions are marked by an intricate fusion of avant-garde orchestration and electronic textures. They incorporate rare artifacts in their work, including Bronze Age horns and quartz crystal percussion. One of their standout creations is the black Apprehension Engine, often referred to as The Nightmare Machine, exemplifying their innovative approach to sound creation.
A mentor’s influence
The artistic development of Die Hexen has been profoundly influenced by their mentorship with Grammy-winning engineer Geoff Foster, known for collaborations with artists such as Björk and Scott Walker. This partnership has led to numerous accolades, including the prestigious Best Original Score award at the 2025 Ifta awards for the film Fréwaka, as well as recognition at the 2025 Sitges Film Festival for the same work. Their film El Hor has also garnered accolades, further solidifying their reputation in the industry.
Current projects and nominations
Die Hexen is currently nominated for the Best Original Music Score at the 2025 Royal Television Society Northern Ireland Awards for their work on the BBC series Video Nasty. Additionally, they have been nominated for the NI Music Prize PRS NI Creator of the Year Award for 2025, highlighting their ongoing contributions to the musical landscape of Northern Ireland.
A glimpse into personal influences
Reflecting on their childhood, Die Hexen shares that they often ventured to the serene limestone quarry near their home in Larrybane to vocalize their emotions, experimenting with the natural reverberations surrounding them. This early connection to sound established a foundation they describe as a calling rather than merely a career.
In discussing their artistic influences, Die Hexen cites the opera Akhenaten by Philip Glass, noting the profound impact of its mesmerizing performance. They wish to have the piece Funeral of Amenhotep III played at their funeral, underscoring its significance in their life.
Personal favorites and creative outlets
When asked about their dream musical ensemble for a celebration, Die Hexen expresses a desire for Roxy Music to headline, supported by The Associates. If stranded on a deserted island, they would prefer the Blade Runner soundtrack by Vangelis and a Tarot deck illustrated by Dalí, highlighting their appreciation for both music and visual art.
While they do not often listen to podcasts or radio, Die Hexen finds solace in nature, favoring the sounds of flowing water and the sight of towering trees. Their current reading material includes thought-provoking texts like The Book of Symbols and Inferno by Dante, indicating a deep interest in symbolism and existential themes.
Philosophical musings and future aspirations
On spirituality, Die Hexen shares a whimsical belief: Dog is God, reflecting their affection for their beloved Saluki, Rutger, who is regarded as their first musical collaborator. Together, they harmonize on the soundtrack for El Hor, a film celebrating the Saluki’s role in navigating love, life, and the afterlife.
Raised along the scenic north coast, Die Hexen drew inspiration from the natural acoustics of Ballintoy’s limestone amphitheatre. This distinctive environment nurtured a creative spirit that propelled their artistic endeavors, leading to impactful projects such as a tribute to witches in Ravensburg and the immersive augmented reality sound installation titled Our Place In Space.0
