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Edinburgh International Festival: Zora Howard’s Hang Time Examines Lynching and Its Legacy

Experience the raw emotion and deep cultural roots of Hang Time, a play that delves into the lives of three lynched men and their unfulfilled dreams.

Edinburgh International Festival: Zora Howard's Hang Time Examines Lynching and Its Legacy

The Edinburgh International Festival of 2026 is making a bold statement by delving deep into the complex narrative of the United States. Among the myriad performances, Zora Howard‘s Hang Time presented by the Flea Theater of New York stands out as a beacon of courage and clarity.

This powerful play, which premiered in 2026, is currently captivating audiences at the Lyceum Theatre until August 23.

The stage is set in a haunting liminal space, where three black men hang from a tree, a chilling image that echoes the infamous song Strange Fruit by Billie Holiday.

These men, lynched by an angry mob, find themselves in a strange in-between state, conversing as if their lives were still intact. This poignant scene sets the stage for a profound exploration of America’s painful past.

The Characters and Their Stories

The play introduces us to three distinct characters, each with their own unique perspective and story. Kamal Bolden portrays Slim, a charismatic joker with a penchant for beautiful women. Julian Rozzell plays Bird, an older man who strives to do right by those he loves. The youngest of the trio, Bryce Foley‘s Blood, dreams of escaping small-town life but is torn by the knowledge that leaving would mean abandoning his future child, much like his own father did.

As the play unfolds, the conversations between the three men oscillate between light-hearted banter and intense, heart-wrenching moments. Their dialogue reveals their dreams, hopes, and dilemmas, painting a vivid picture of their rich humanity and deep cultural roots. The audience is drawn into their world, experiencing the full spectrum of their emotions and struggles.

A Week in Limbo

The play spans a week, during which the men remain suspended in this liminal state. Their presence serves as a stark reminder of the brutal abuse of power and the enduring legacy of lynching in America. The slowly darkening arc of the play is beautifully lit by Reza Behjat and directed by Howard herself, creating an atmosphere that is both haunting and deeply moving.

The conversations between the men are interspersed with moments of sudden violence, hinting at the inevitable end that awaits them. This tension builds throughout the play, culminating in a devastating climax that leaves the audience in a state of irredeemable darkness. The play’s short duration belies its profound impact, leaving a lasting impression on all who witness it.

The Legacy of Hang Time

Hang Time is more than just a play; it is a powerful commentary on the value and complexity of human life. By bringing to life the stories of these three men, Howard forces us to confront the damage we do to ourselves when we devalue certain lives. The play serves as a stark reminder of the consequences of such actions, which echo through history, causing eternal pain and shame.

In a world where the past often feels distant, Hang Time brings it painfully close. It challenges us to reflect on our own complicity in the ongoing struggle for justice and equality. The play’s unflinching gaze into America’s painful history makes it a must-see for anyone seeking to understand the deep-seated issues that continue to shape our society.


Contacts:
Thomas Wood

Thomas Wood, Leeds-based and modern-relaxed in style, once rerouted a weekend to cover a community arts co-op launch in Harehills rather than a planned corporate brief. Champions approachable analysis that centres local voices and keeps a habit of sketching street scenes between edits as a distinguishing detail.