Discover a witty and heartfelt take on Christopher Boone’s search for answers, featuring puppetry, humour and a special chilled performance
The company presents an engaging stage adaptation of The curious incident of the dog in the night-time, a story that follows a young protagonist as he turns detective after the violent death of his neighbour’s dog, Wellington. On stage we meet Christopher Boone, a Year 9 student who records his observations in a reflective journal that he shares with his teacher, Siobhan.
The production balances a poignant emotional journey with moments of wry humour while inviting audiences to view the world through a distinct perspective shaped by autism and brilliant, methodical logic.
Rather than relying on literal realism, this staging emphasizes imaginative storytelling and creative theatrical devices to express Christopher’s inner life.
A local ensemble of actors, designers and puppeteers collaborate to transform simple objects and movement into evocative stage images. The piece celebrates life-affirming discoveries amid a central murder mystery, and the company’s approach foregrounds empathy and clarity: the audience is led to understand how Christopher’s investigations reveal emotional truths about trust, family and identity while the plot asks the question—who killed Wellington?
About the show
This production places emphasis on character perspective and the mechanics of a young detective’s mind. In this telling, the mystery functions as a narrative engine that allows the audience to experience both the procedural rhythm of clues and the fragile discoveries that follow. Through clear staging and careful design, the company renders Christopher’s routines, anxieties and revelations with respect and intelligence. The play is frequently funny and often tender; it never reduces its themes to melodrama. Central to the drama is the relationship between Christopher and Siobhan, whose guidance helps him interpret social cues and test his assumptions as he seeks the truth.
Performance schedule
The run includes five evening performances and a special matinee: Wednesday 17th June 2026 7.45 pm, Thursday 18 June 7.45 pm, Friday 19th June 7.45 pm, Saturday 20th June 2 pm, Saturday 20th June 7.45 pm and a Sunday 21st June 2 pm (chilled performance). The chilled performance is designed to offer a gentler sensory environment for audience members who prefer lower lighting levels, reduced volume and a more relaxed atmosphere. Tickets, accessibility information and arrival guidance are available from the box office and the production’s social channels; patrons are encouraged to check details in advance to ensure a comfortable visit.
Chilled performance details
The chilled performance on Sunday 21st June 2 pm adapts lighting and sound for sensory sensitivity while preserving the integrity of the storytelling. House rules for this performance include softer audience lighting, moderated sound cues and relaxed expectations about movement and noise during the show. Front-of-house staff and ushers will be briefed to support patrons with additional needs, and the creative team has prepared signage and guidance to help first-time theatre-goers feel welcome. This session is an opportunity for families, neurodivergent audience members and anyone seeking a calm theatrical experience to enjoy the piece in a considered environment.
Cast and creative team
The cast brings a blend of local talent and careful ensemble work. Leading the company is Benjamin Spalding as Christopher, supported by Annabel Caldwell as Siobhan/Ensemble and Kev Woods as Ed/Ensemble. Other principal performers include Sarah Ellen Young as Judy/Ensemble, Chrissie Cropper in multiple parts including Mrs. Alexander, and Paul Reed covering a range of roles such as Roger and the duty sergeant. The ensemble also features Emma Megan, Lucy Jenkins, Stuart Williams, John Roberts, Louisa Futcher, Sasha Wijesekera and Jude Bowen, who doubles as the Toby (Rat) puppeteer.
Creative and technical credits
The creative leadership and backstage team shape the production’s technical and aesthetic identity. Heather Davis directs and leads movement while Leanne Howard serves as assistant director. Georgina St George composed the music and Heather also handled set design responsibilities. The production is stage-managed by Phil Ager with Carolina Robles as assistant stage manager. Lighting and projection are by Adam Wiffen and James Coppin, sound by Mike Cutmore, puppet design by Ellisia Taylor, props by Catherine Streatfield and costume coordination by Susan Henry. Additional credits include rehearsal prompt Anne Horrocks, movement captain Lucy Jenkins, social media Louisa Futcher and Maddy Smith, photography by Hannah Burgin and production lead for HTP, Dawn King.
